Paul Renner’s Futura was clearly inspired by the concepts of the Bauhaus (see experimental letters) but came out no earlier than 1927. The radical constructivist designs we now immediately connect with “Bauhaus”, however, were only carried out in drafts - drawings and lettering - never in a typeface. Others are Venus and Ideal Grotesk, later recycled in Monotype Grotesque.īut the typographic ideas of the Bauhaus, above all Herbert Bayer and Joost Schmidt, went further. This drawing by Herbert Bayer wasn’t produced as a typeface.Ī typeface in this vein often found in their later materials is Breite halbfette Grotesk by Schelter & Giesecke, recently revived as FF Bau by Christian Schwartz. These are the most common typefaces in the database, but there are many more. Haas Inserat-Grotesk / Neue Aurora VIII (51).
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